It's harder if you're stupid."

"Life Is Hard...
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Sea Breeze
north star
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[14] A Retelling of “The Three Little Pigs”
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yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
yelloweyedcrowley:

pet shaming, Supernatural style
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circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
circuitfive:

Manuscript pages from Frédéric Chopin’s piano works in the composer’s hand:
Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
Opening to the Ballade No. 1 in G Minor, Op. 23.
Section from the Nocturne in Db Major, Op. 27, No. 2.
Section from Prelude in Bb Minor, Op. 28, No. 16
Final measures of Ballade No. 2 in F Major, Op. 38.
Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
Opening to the Sonata No. 3 in B Minor, Op. 58.
Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
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magicalnaturetour:

Grey Whale(by John Q2008)
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juliawiinchester:

juliawiinchester:

And now my dad hides the salt from me…

A few days after the salt line incident, the lights flickered in the kitchen and my dad looked at me and said “don’t you dare. You lost your salt privileges”
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WHEN PEOPLE KEEP PLAYING LONG AFTER THE CUTOFF